Đề ôn thi Đề thi vào lớp 10 Trường THPT Chuyên KHXH môn Tiếng Anh - Mã đề KHXH-161

The bulldozer is a powerful machine that (35) __________ on construction sites. With its large size and heavy build, it is easily recognized. Its main job is to prepare land for buildings. A massive engine gives it the strength to move enormous amounts of material, making it essential for any major construction project.

At the front, you will find (36) __________ large, heavy metal plate called a blade. This blade isn't sharp, but it is extremely strong. It is controlled by hydraulic arms that lift and tilt it. This blade is perfect for (37) __________ large amounts of soil, rock, and other debris forward and away, which clears and levels the ground.

A bulldozer moves on two continuous tracks, not wheels. These tracks are important because they spread the machine's weight over a large area, preventing it from sinking into soft soil. The bulldozer is extremely heavy, (38) __________ it uses tracks to move across uneven land without getting stuck.

An experienced operator sits in a cab to control the machine. If a bulldozer (39) __________ its powerful engine, it couldn't move heavy loads. The job requires great skill. A site manager once said that the machine (40) __________ essential for their daily work, highlighting its importance.

In conclusion, the bulldozer is a vehicle designed for strength, not speed. It efficiently (41) __________ tasks like clearing and levelling ground. While it moves slowly, its impact is huge. The bulldozer is the true (42) __________ of the construction world, doing the heavy work that no other machine can.

Almost every traveler has faced the same dilemma: what souvenir should I bring home? In countless shops from Paris to Phuket, shelves are filled with colorful keychains, magnets, and T-shirts. These items are easy to pack and often inexpensive, making them a popular choice. However, as you stand in a bustling market, a question might arise: does this small object truly represent the unique culture of the place I visited, or is it just a generic token? This question is at the heart of a growing conversation about the true value of souvenirs.

The issue with many common souvenirs is their lack of a genuine connection to the local culture. A significant number of these products are mass-produced in large factories, often located in a different country altogether. They feature generic designs that are replicated for tourist destinations worldwide. While they serve as a simple reminder of a trip, they rarely tell a story about the local community, its history, or its unique artistic traditions. A truly authentic souvenir should be a product of the place it represents, not just a symbol stamped onto a mass-produced item.

Fortunately, there is a powerful alternative: seeking out locally made crafts. Many countries, including Vietnam, are actively promoting their traditional craft villages. For instance, a visit to Bat Trang pottery village near Hanoi allows tourists to buy beautiful ceramics directly from the artisans who made them. These artisans have often inherited their skills through generations, and each piece they create carries a part of that legacy. When you buy from these local creators, you are not just acquiring an object; you are supporting a family, preserving a cultural tradition, and bringing home a unique story. The artisans are proud of their work, and they are often happy to share the history behind their craft.

Ultimately, the choice of a souvenir is a small but significant act of conscious consumerism. It is a decision between supporting a global industrial system or a local artist. The most memorable souvenirs are not necessarily the most expensive or the shiniest. They are the ones that carry a personal connection and a story. A hand-painted silk scarf, a piece of handmade pottery, or a wood carving from a local market holds more than just a memory of a place; it holds a piece of its soul. It reminds us that the best way to remember a journey is to honor the culture that made it special.